| Lillian F. Schwartz: Selected Books, Lectures and Web Sites on Schwartz's Work | |
| 2000 |
Convergence Technologies and Language Engineering. Keynote Address by Prof. Sue Ellen Wright. Cologne, Germany. Nov.
Prosopognosis(working title for book on importance of emotions) Panos Axiomakaros, Olympian Univ., Athens, Greece. The Web (working Title) by Bridget Mintz Testa. Published by Computer Graphics world, Inc. Drawing 100A and Color Planet #50C by LS along with text. |
| 1999 |
The Computer in the Visual Arts by Anne Morgan Spalter. Mona Lisa, from the Renaissance to Dada, Pop, and computer art. Published by Wesley Longman. pp. 10, 16,19,22,182,467.
Computer Graphics by Mike Davison. Famous Moviestar by LS appears on the back cover. V33n2 and on their WWW. |
| 1998 |
Histoires d'Art et de Science by Eliane Strosberg. Published by The UNESCO Office for United Nations Education, Scientific and Cultural Organization. Fall '98.
How To Think Like Leonardo da Vinci by Michael L. Gelb. Published by Delacorte Press, pp. 148-49. NEW MEDIA IN LATE 20th C. ART. (Images from Pixillation and MONA-LEO).Thames & Hudson Ltd. London,UK. |
| 1997 |
Mona Morph |
| 1996 |
Kunst og Computer. Published by Orfeus, Denmark.
Text of Computer Graphics For Design. By Tomohiro Ohiro. Published by CG Arts Society, Kyobashi, Japan. |
| 1995 | Perspectives. Hugh M. Downs and Hugh R. Downs. Turner Publishing Inc., Atlanta, Ga., "Mona Lisa and Leonardo da Vinci" pp.121-125. |
| 1994 |
COGNITION AND THE VISUAL ARTS. Robert L. Solso. MIT Press, Cambridge, MA.
New Technology and Creativity. Edited by Tessa Elliott and John Lansdown. |
| 1993 | IDEA/International Directory of Electronic Arts |
| 1992 |
Technoscience. Frank Popper. Thames on Hudson Publishers.
The Computer Artist's Handbook. Lillian Schwartz with Laurens R. Schwartz. W. W. Norton Inc |
| 1991 |
Art, Culture and Environment: A Catalyst for Teaching. Regina M. Degge, June King McFee. Kendall/Hunt Publishers.
Digital Color. Sonya Haferkorn & Stephen Uzzo. Harcourt Brace Jovanovich, Inc. LIVING WITH COMPUTERS. Patrick McKeown. Harcourt Brace Jovanovich, Inc. Art In Context. Jack A. Hobbs. Harcourt Brace Jovanovich, Inc. pp. 43, 44. College Production. Rebecca Lytle. Harcourt, Brace, Jovanovich, Inc., San Diego, CA. 92101. Holt Algebra II. Holt, Rinehart and Winston, Inc. Austin, Texas. STATISTICS. Richard C. Weimer. Wm. C. Brown Publishers, Dubuque, Iowa. Pp. 2. |
| 1990 |
KUNSDT UND COMPUTER/KUNSDT UND ELEKTRONIK. "Gesellschaft fur elektronische Kunst,". Published by Sekretariat fur gemeinsame Kulturarbeit in NRW, Wuppertal. Koln, Germany.
Computer Animation Overview. "Computer Graphics Applications:, E. Kenneth Hoffman with Jon Teeple. Wadsworth Publishing Co. Belmont, CA., pp.234-235. PRINCIPLES OF VISUAL PERCEPTION. Carolyn M. Bloomer. Tab Books/McGraw Hill, second Ed., pp. 205, 206. Developing a Comprehensive Program for Teaching Visual Arts to Highly Able Teenage Students. Indiana University School of Education. BLoomington, Indiana. Computer und Kunst. Erwin Steller. I.I.-Wissenschaftsverlag, Mannheim/Wien/Zurich. pp.107, 108. Art, Zen and the Computer. Marion Muller. U&1c Vol. 17, #3 pp 5.3/13 -15. ARTISTS AND THE MOVING IMAGE. Frank Thompson. Read/Write Press, Santa Cruz, CA., and Princeton, NJ. |
| 1989 |
Computer Graphics Applications. Ken Hoffman. Wadsworth Publications,
Belmont, CA.
History of Animation in America. Charles Solomon. Knopf. The Identity of The Mona Lisa. Terry Landau. "About Faces", Doubleday pp.40. The World of Computer Graphics. Hideki Mitsui. The University of Tsukuba, Sakura-mura nihari-gun ibaraki=ken Japan. |
| 1988 |
L'ordre visuel numerique et la simulation - Diamorphose, "Images - De L'optique au numerique". Edmond Couchot. Hermes, Paris, London, Lausanne, pp. 178, 193-195.
The Age of Intelligent Machines. Raymond Kurzweil. MIT Press. Art Forms. Duane & Sarah Preble, Harper & Row, NY. Third Edition. Animation. Roger Noake. Macdonald & Co. England. Digital Visions. Cynthia Goodman, Abrams. |
| 1987 |
Hiroshima Guide Book. Seinosuke Arata.
Animation From Script To Screen. Shamus Culhane. New York Chapter of the National Academy of Television Arts and Sciences Directory. PRIX ARS ELECTRONICA. Osterreichischer Rundfunk Landesstudio Oberosterreich, Linz, Austria. |
| 1986 |
Aesthetic Criteria Related to Computer Generated Imagery. Rick Lucas Ph.D.
Homage to Statue of Liberty and Big MOMA, "High Technology and Art 1986". Group Arts-Unis. The Chunichi Shimbun Publisher. Naganae Printing Co., Japan.Catalogue, pp. 29. |
| 1985 | The Universal Machine. Pamela McCorduck. Chapter The Venus of West 53rd Street. McGraw Hill. |
| 1984 |
Creative Computer Graphics. A. Jankel and R. Morton; Cucumber Studios Ltd.,
Cambridge University Press, pp. 15, 84, 85, 90, 106.
Dictionary of American Sculptors. Glenn B. Opitz, Purlisher/Editor. "Apollo" 800-942-8222 or 800-431-5003. Computer Graphics. A. Jankel and R. Morton. Cucumber Studios Ltd., London W.1. |
| 1982 |
Genesis II: Creation and Recreation with Computers. Dale Peterson. "Reston Publishing co., Inc."A Prentice-Hall Co., September. Reston, Va. 22090.
Who's Who in American Art. Film plus TV Graphics No.2. Seibundo Shinkosha Publishing Co.,Ltd. Graphics in Motion. John Halas, Bruckman (Germany). V.I.P. In The Jewish World. Mosadot Publication, Jerusalem, Israel. Computer Graphics. Larry Barber. "Voyage Productions". Laguna Beach, Calif. |
| 1981 |
Use Of The Computer In Visual Art. Roger COQUART.
Computer Culture 81. Richard Hill. The Photo/Electric Arts Foundation. People and the technologies of light/electricity. Box 7109, Postal Station A. Toronto, Ontario. International Dictionary of Contemporary Artists. Encyclopaedia of the Artist of the Accademia Italia Delle Arti e Del Lavoro. |
| 1980 | New American Animation. Cecil Starr. |
| 1979 |
Oblique Light. Lynn Emanuel. University Press. (cover design).
An Introduction to the Social Sciences: The Future Where are we headed? |
| 1977 | Abstract Film And Beyond. Malcolm LeGrice. "The MIT Press," Cambridge, Mass. and London, England, pp. 80. |
| 1976 |
Artist and the Computer. Edited by Ruth Leavitt. Harmony Books, pp. 107, 108.
Experimental Animation. Robert Russett & Cecille Starr, Van Nostrand-Reinhold. Film & TV Graphics. Walter Herdeg, Graphis Press, Zurich. Cinema et animation d'images - Lillian Schwartz, "IBM Informatique". Pierre Demarne. Published by IBM, France, pp.56, 57. Calcolatore e immagine -Esperienze, a cura di Iva Bergamini e Roberto Lanterio. Rivista IBM, supplemento al numero 4/1976 pp. 44. Computer Animation. Edited by John Halas. Hastings Publishing. |
| 1974 |
PLASTICS. Thelma Newman and cover.
The Artist and Computer Animation. "Computer Animation", edited by John Halas. Visual Communication Books, Hastings House, Publishers, pp. 159, 167. Computers and Creativity. Carol Spearin McCauley. Praeger Publishers, pp. 17 - 19, 67, 87-105, 154. Computer Lib. Theodore H. Nelson. Higo's Book Service, Box 2622, Chicago, Ill. 60690. pp. DM 10, 11. |
| 1973 |
Film as Subversive Art. Amos Vogel. Random House, pp. 112, 118.
Apparative Kunst Von Kaledidoskop zum Computer. Herbert W. Franke & Gottfried Jager. |
| 1972 |
Art & The Future. Doug Davis. Prager Publisher.
Materials, Technology & Art. Charles S. Barrett. Kunst und Computer. Peter Goldscheider and Heinz Zemanek. Springer-Verlag, Germany, New York, pp. 131. |
| 1969 |
Computer Art. Jasia Reichart. "Institute of Contemporary Art, Studio Vista.
Computer Graphics & Film. Herbert Franke. Praeger Publisher. |
| 1968 |
The Machine - as Seen at The End of The Mechanical Age. The
Museum of Modern Art Catalogue, pp. 204.
Some More Beginnings. An exhibition of submitted works involving technical materials and processes, in collaboration with the Brooklyn Museum and The Museum of Modern Art, NY. Published by Experiments in Art and Technology, Inc. Printed by Redmond Press, Denville, N.J., pp. 105. Catalogue. |